“What Art Thou? Speak!”

Metadata

  • Author: Kerry Walters
  • Full Title: “What Art Thou? Speak!”
  • Category:articles
  • Summary: The play “Timon of Athens” explores the transformation of Timon from a generous philanthropist to a bitter misanthrope after being betrayed by his friends. This change reveals themes of self-deception and human failing, as Timon grapples with his own misguided ideals of generosity. Ultimately, Timon’s story serves as a cautionary tale about the dangers of bad faith and the fragility of human relationships.
  • URL: https://kerrywalters.substack.com/p/what-art-thou-speak

Highlights

  • Timon gives freely with no thought of recompense, and just naturally expects everyone to be as open-heartedly generous as he is. That’s why the refusal of his so-called friends to help him in his moment of need shatters his innocent optimism. (View Highlight)
  • Bad faith, or mauvaise foi, is essentially a form of self-deception. When we fall into it, we deny one aspect of what it means to be a person by overemphazing another. We lock ourselves into an inauthentic or false identity. (View Highlight)
  • According to Sartre, a human is a combination of fact and freedom. Each of us is born into a specific temporal and spatial context and endowed with a biologically determined set of strengths and weaknesses. (View Highlight)
  • We deny our freedom by convincing ourselves that we’re nothing but facticity, thereby trying to freeze our identity into an object-like permanence (View Highlight)
  • But trying to become an unchangeable object by focusing on facticity is only one of two ways in which bad faith can occur. The other is by self-identifying as an utterly transcendent being liberated from historical and biological constraints—a kind of free-floating gnosticism (View Highlight)
  • But because they’re so invested in the false identities they’ve created for themselves, they resist the self-reflection necessary to root out the interior source of their disquiet. (View Highlight)
  • Projection is bad faith’s go-to defense mechanism. (View Highlight)
  • In the first half of the play, Timon’s bad faith is of the denying facticity variety. He refuses to acknowledge the material fact that he’s squandering his fortune, (View Highlight)
  • gift-giving is an inherently impossible act—what he calls an aporia—because there’s always a circle of exchange in which the giver is rewarded for her gift-giving (View Highlight)
  • “The middle of humanity thou never knewest, but the extremity of both ends.” (View Highlight)
  • First Timon was superior to material considerations, a disincarnate paragon of generosity: pure freedom. Now he is a thing of the earth, a self-enclosed thing of hate: pure facticity. (View Highlight)
  • self-deception erodes human flourishing even more surely than time does (View Highlight)